Also left out...
4. "Does mainstream music criticism and journalism really matter much?...If criticism is so well-articulated and implicated within the commodification of culture that anyone can perform its functions, then maybe we are all, to a certain degree critics” (Fenster, 2002, pp. 89, taken from Pop Music and the Press, ed. S. Jones).
Maybe draw comparison with games criticism which is developing its own language and value systems. Maybe draw comparison with the alternative construct Riot Grrrl and certain female writers were attempting to create at the start of the 90.
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